If you would like to submit work to be exhibited in the gallery, please read the submission instructions for all the details.
Sharon Marzonie describes these three pieces she submitted:
"Gorgeous amber earrings carefully matched and accented with turquoise and Thailand silver.
Sterling French wires are made by hand with pliers then lightly hammered to lock their shape."
"This bracelet is made of dyed red coral buttons, turquoise seed beads, a square-faceted amethyst, brown leather, and various new styles of Thailand silver beads. The Thai beads are strung on the leather and knotted, while the rest is on beading wire with secured with crimps. It finishes with a sterling lobster clasp."
"A necklace called the "Henna Hand" because the carved bone hand pendant has the henna design motif on it. The beads surrounding it are blue-green turquoise, tiger's eye, and "yellow" turquoise and are strung on beading wire. The beading wire is attached to the deer skin ties throw tiny holes and then crimped. The ties allow the necklace to be worn long or short."
Donna Mehnert submitted these three bracelets made of moretti glass lampwork beads, swarovski crystals, sterling silver beads and findings.
Tereza Matas from Hobart Tasmania made this repousse piece.
Lidija Fairbanks primarily used free form peyote to create this piece, which is made up of seed beads, glass beads and her hand-sculpted ceramic cabochon.
Heather Powers made this polymer clay beaded bracelet. This is a set of polymer clay beads was created using an onlaying techique of a striped cane, formed into bicones. She then mixed them with Bali silver spaces, added clasp, and strung them on sterling silver 18 gauge wire.
Andi Billow used 24 gauge fine silver wire to create this twisted box stitch macarame wire bracelet.
Sara R. created the following semi-precious stone and sterling pieces.
Here are previous pages of our 2002 GalleryPage 1 Page 2, Page 3, Page 4, Page 5, Page 6, Page 7, Page 8Page 9.
Take a look at our 2001 Jewelry Artists' Gallery
